A practicing sculptor, David was working at the time as a paper restorer at Petersburg Press, with a studio opposite Hockney's in London. Ann's eventual husband David Graves met Hockney at the opening night of 'The Rake's Progress' at the Glyndebourne Opera, 1975, which Hockney designed. ink stamp and pencil inscribed work number 'DH79-885' on verso lower left.Īnn Upton (1941-2017) met David Hockney in 1960 and became his model in 1962. Processing and proofing: Serge Lozingot and Anthony Zepeda. Collaboration and supervision: Serge Lozingot. Printed in 2 colors from two aluminum plates: black and transparent black from crayon and tusche. It is otherwise a strong impression in excellent condition
43, page 48Ĭondition: A crease upper left corner, a few faint foxmarks, remnants of old mounting tape on verso from previous framing. 61a, page 152 'That's the Way I See It' - Hockney No. Reference: 'David Hockney Prints 1954-1995' - MOCA Tokyo: No. Publisher: Gemini G.E.L., Los Angeles, CA Printer: Charles Ritt and Anthony Zepeda of Gemini G.E.L., Los Angeles, CA Medium: Original Lithograph on cream HMP Koller handmade paper *Signed, dated, and numbered by Hockney in pencil lower right
